Arts Asiatiques 49 (1994)

Françoise WANG-TOUTAIN, Michèle Pirazzoli-t'Serstevens, Jean BOISSELIER, Danielle ELISSEEFF, Amina OKADA, Boris MARSHAK, Corinne DEBAINE-FRANCFORT, Gilles GENEST, Laxman S. THAKUR, Robert DUQUENNE

Collection : Arts Asiatiques

Collection's number: 49

Edition: EFEO, Musée Guimet

Publication date: 1994

Status : Available

28,00

ISBN-13 : 978-2-85539-831-0

ISSN : 0004-3958

Width : 22 cm

Height : 27 cm

Weight : 0,66 kg

Number of pages : 155

Distributor : EFEO Diffusion

Geography : India, Asia, China, Japan, Thailand

Language : French

Place : Paris

Support : Papier

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Table of contents

Articles
* Boris Marshak
Le programme iconographique des peintures de la "Salle des ambassadeurs" à Afrasiab (Samarkand)
* Michèle Pirazzoli-t'Serstevens
Pour une archéologie des échanges. Apports étrangers en Chine : transmission, réception, assimilation
* Corinne Debaine-Francfort
Abdurassul Idriss et Wang Binhua Agriculture irriguée et art bouddhique ancien au cœur du Taklamakan (Karadong, Xinjiang, IIe-IVe siècles). Premiers résultats de l'expédition franco-chinoise de la Keriya
* Françoise Wang-Toutain
Une peinture de Dunhuang conservée à la Bibliothèque Nationale de France
 
 
 Planches en couleurs
* Danielle Elisseeff
À propos d'un cimetière Liao. Les belles dames de Xiabali
* Gilles Genest
Les palais européens du Yuanmingyuan : essai sur la végétation dans les jardins
 

Activités du musée national des Arts asiatiques - Guimet

Activités du musée Cernuschi

In Memoriam
Mireille Bénisti (1909-1993) (Bernard Frank)

Chroniques
* Un pichhavai illustrant le Rāsa Maṇḍala, ou Danse de Kṛṣṇa et les Gopī, au musée national des Arts asiatiques - Guimet (Amina Okada)
* An inscribed brass Statue of Byams-pa (Maitreya) from Tsa-rang, Kinnaur (Laxman S. Thakur)
* "Bonjuru Daiseishi" (Robert Duquenne)
* À propos du Journal du Voyage de Siam de Claude Céberet, Envoyé extraordinaire du Roi en 1687 et 1688, Étude historique et critique par Michel Jacq-Hergoualc'h (Jean Boisselier)

Comptes rendus
* Bruno Dagens
O.M. Starza, The Jagannatha Temple at Puri : its architecture, art, and cult
* Yves Porter
Mehrdad Shokoohy, Nathalie B. Shokoohy, Nagaur, Sultanate and Early Mughal History and Architecture of the District of Nagaur, India
* Anne Chayet
F. Ricca, E. Lo Bue, The Great Stupa of Gyantse
* Henri Chambert-Loir
Paul Michael Taylor, Lorraine V. Aragon, Beyond the Java Sea
* Katheryn Linduff
Roderick Withfield (ed.), The Problem of Meaning in Early Chinese Ritual Bronzes
* Alain Thote
Donald B. Wagner, Iron and Steel in Ancient China
* Hubert Delahaye
Julia K Murray, Ma Hezhi and the illustration of the Book of Odes
* Michèle Pirazzoli-t'Serstevens
Wai-Kam Ho (ed.), The Century of Tung Ch'i-ch'ang (1555-1636)
* Bérénice Angremy
laudia Brown, Ju-hsi Chou, Transcending Turmoil, Painting at the Close of China's Empire 1796-1911
* Régine Thiriez
Louis Marin, Frontières d'Asie
* Vĕra Linhartová
Joan Stanley-Baker, The Transmission of Chinese Idealist Painting in Japan : Notes on the Early Phase (1661-1799)
* Sabine Trebinjac
Vladislav Sissaouri, Cosmos, magie et politique : la musique ancienne de la Chine et du Japon

About the collection

Arts Asiatiques

Founded in 1924 under the title Revue des Arts Asiatiques, the journal was placed under the directorship of Jean Filliozat, a member of the Academy of Inscriptions and Belles-Lettres and director of the Ecole française d'Extrême-Orient (EFEO), in 1959. Since 1962 Arts Asiatiques has been published by the EFEO, in association with the Guimet and Cernuschi Museums and with the financial support of the Centre National de la Recherche Scientifique (CNRS).

From the outset, Arts Asiatiques was conceived as bridging the worlds of academia and the museum. Today, Arts Asiatiques remains one of the rare periodicals devoted to Asian art and archaeology from a rigorously scholarly perspective. Its ambition is to publish all fields of original scholarship and technical expertise and to explore the full range of primary sources useful to the comprehensive analysis of works of art, from their fabrication and transmission to their iconographic impact: archaeology, history of art and religions, social history, anthropology, material culture, architecture, conservation, textual and documentary sources including inscriptions on various media.

The Editors

The editorial team of Arts Asiatiques comprises the Editor-in-Chief, an Editorial Board based in Paris, and an international Advisory Board. See the list of members

Editorial Office
ARTS ASIATIQUES
Musée national des arts asiatiques - Guimet
6, place d'Iéna
75116 PARIS
arts.asiatiques@efeo.net

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