Arts Asiatiques 59 (2004)

Jacques GAUCHER, Bertrand PORTE, Olivier VENTURE, Isabelle CHARLEUX, Marie-Claire QUIQUEMELLE, Catherine DELACOUR, K. CHUGUNOV, H. PARZINGER, A. NAGLER, Gaëlle LACAZE, Bernard FORMOSO, Manuela MOSCATIELLO, Vincent LEFEVRE, Pénélope RIBOUD

Collection : Arts Asiatiques

Collection's number: 59

Edition: EFEO, Musée Guimet

Publication date: 2004

Status : Épuisé

40,00

ISBN-13 : 978-2-85539-643-9

ISSN : 0004-3958

Width : 22 cm

Height : 27 cm

Weight : 0,9 kg

Number of pages : 187

Distributor : EFEO Diffusion

Geography : Cambodge, Tibet, Asie, Chine, Japon

Language : Français, Anglais

Place : Paris

Support : Papier

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Table of contents

Articles
* K. Chugunov, H. Parzinger, A. Nagler
Arzhan 2 : la tombe d'un prince scythe en Sibérie du Sud. Rapport préliminaire des fouilles russo-allemandes de 2000-2002 / Arzhan 2 : The Tomb of a Scythian Prince in South Siberia. A Preliminary Report of Russian-German Excavations, 2000-2002
* Isabelle Charleux, Gaëlle Lacaze
L'intronisation du IXe Dalai lama vue par un prince mongol : un rouleau peint conservé à la bibliothèque de l'Institut des Hautes Etudes Chinoises / The Enthroning of Ninth Dalai lama as Seen by a Mongol Prince : A Painted Scroll Preserved in the Library of Institut des Hautes Etudes Chinoises
* Jacques Gaucher
Angkor Thom, une utopie réalisée ? Structuration de l'espace et modèle indien d'urbanisme dans le Cambodge ancien / Angkor Thom, a Realized Utopia ? Space Structuration and Indian Urban Pattern in Ancient Cambodia
* Bernard Formoso
Costumes, espaces protégés et " signature ethnique ". Le cas des Hani-Akha du Yunnan (R.P. de Chine) / Costumes, Protected Spaces and " Ethnic Signature ". The Case of the Hani-Akha, Yunnan (P.R. of China)
* Marie-Claire Quiquemelle
Tissus et broderies Miao de la province du Guizhou en Chine / Miao Textiles and Embroidery Work in the Province of Guizhou (P.R. of China)
* Manuela Moscatiello
La collection d'art japonais de Giuseppe de Nittis / The Giuseppe De Nittis Collection of Japanese Art

Activités du musée national des Arts Asiatiques-Guimet

Activités du musée Cernuschi

Chroniques
* La collection Krishna Riboud au musée Guimet (Vincent Lefèvre)
* Le buffle de Liyu du musée de Shanghai exposé au musée Guimet à l'occasion des Années France-Chine, Musées croisés 2003-2004 (Catherine Delacour)
* Un monument funéraire en pierre (Chine, VIe s.) au musée Guimet (Catherine Delacour, Pénélope Riboud)
* Le Shan ding : un vase en bronze inscrit de l'époque des Zhou occidentaux (1050-771 av. notre ère) (Olivier Venture)
* Curieuses sculptures khmères (Bertrand Porte)

Comptes rendus
* R. Vitali
S.G. Karmay & Y. Nagano (eds.), A Survey of Bonpo Monuments and Temples in Tibet and the Himalaya
* M. Jacq-Hergoualc'h
H. Woodward, The Art and Architecture of Thailand from Prehistoric Times through the Thirteenth Century
* M. Jacq-Hergoualc'h
M. Giteau, Chefs-d'oeuvre de la peinture cambodgienne dans les monastères bouddhiques post-angkoriens
* P. Baptiste et T. Zéphir
E.C. Bunker & D. Latchford, Adoration and Glory. The Golden Age of Khmer Art
* A. Hardy Nguyen
Van Huy & L. Kendall (eds.), Vietnam. Journeys of Body, Mind and Spirit
* A. Hofmann
B.G. Jordan & V. Weston (eds.), Copying the Master and Stealing His Secrets. Talent and Training in Japanese Painting

About the collection

Arts Asiatiques

Founded in 1924 under the title Revue des Arts Asiatiques, the journal was placed under the directorship of Jean Filliozat, a member of the Academy of Inscriptions and Belles-Lettres and director of the Ecole française d'Extrême-Orient (EFEO), in 1959. Since 1962 Arts Asiatiques has been published by the EFEO, in association with the Guimet and Cernuschi Museums and with the financial support of the Centre National de la Recherche Scientifique (CNRS).

From the outset, Arts Asiatiques was conceived as bridging the worlds of academia and the museum. Today, Arts Asiatiques remains one of the rare periodicals devoted to Asian art and archaeology from a rigorously scholarly perspective. Its ambition is to publish all fields of original scholarship and technical expertise and to explore the full range of primary sources useful to the comprehensive analysis of works of art, from their fabrication and transmission to their iconographic impact: archaeology, history of art and religions, social history, anthropology, material culture, architecture, conservation, textual and documentary sources including inscriptions on various media.

The Editors

The editorial team of Arts Asiatiques comprises the Editor-in-Chief, an Editorial Board based in Paris, and an international Advisory Board. See the list of members

Editorial Office
ARTS ASIATIQUES
Musée Guimet - Panthéon Bouddhique
19 avenue d'Iéna
75116 PARIS
arts.asiatiques@efeo.net

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