Arts Asiatiques 56 (2001)

Olivier de BERNON, Michel JACQ-HERGOUAALC'H, ZHAO Bing, Alain THOTE, Gilles BÉGUIN, Édith PARLIER-RENAULT, Éloïse BRAC DE LA PERRIERE, Emily BYRNE, Elsa SAINT-MARC, Roland BESENVAL, François BERTHIER, Du-minh LIM

Collection : Arts Asiatiques

Collection's number: 56

Edition: EFEO, Musée Guimet

Publication date: 2001

Status : Disponible

30,00

ISBN-13 : 978-2-85539-838-9

ISSN : 0004-3958

Width : 22 cm

Height : 27 cm

Weight : 0,88 kg

Number of pages : 184

Distributor : EFEO Diffusion

Geography : Inde, Malaisie, Asie, Chine, Japon, Thaïlande

Language : Français, Anglais

Place : Paris

Support : Papier

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Table of contents

Articles
* Édith Parlier-Renault
Le programme iconographique du temple de Kailāsanātha à Ellorā The iconographic Program of the Kailasanatha Temple at Ellora
* Éloïse Brac de la Perrière
Les manuscrits à peinture dans l'Inde des Sultanats : la Khamse dispersée d'Amir Khosrow Dehlavi, c. 1450 Illustrated Manuscripts from Sultanate India : The Dispersed Khamse of Amir Khosrow Dehlavi, c. 1450
* Michel Jacq-Hergoualc'h
A propos de transferts de formes communs au Campā et au Panpan (péninsule Malaise) au IXe siècle About Transfer of Forms Common to Campa and Panpan (Malay Peninsula) in the 9th Century
* Zhao Bing
Les imitations de porcelaines de Ding du Xe au XIVe siècle : le cas des officines de potiers de Jizhou au Jiangxi The Imitation of Ding Porcelains from 10th to 14th Century : The Case of the Jizhou Kiln in Jiangxi
* Emily Byrne
Curtis Plan of the Emperor's Glassworks Plan de la verrerie de l'Empereur
* Elsa Saint-Marc
Techniques de composition de l'espace dans l'Ippen hijiri-e [Rouleaux peints du moine Ippen (1239-1289)] / Techniques of Space Composition in the Ippen-hijiri-e Scrolls [Scrolls of the monk Ippen (1239-1289)]

Activités du musée national des Arts asiatiques-Guimet

Activités du musée Cernuschi

Chroniques
* La restauration du Buddha en parinirvāṇa d'Adjina Tepe, Tadjikistan du Sud (Roland Besenval)
* Note sur le manuscrit illustré S. 28 de l'EFEO : son rapport avec l'iconographie du Wat Suthat Dhepwararam de Bangkok (Olivier De Bernon)
* Le Phénix rouge de la tombe Kitora, Japon (François Berthier)
* Identification des bois chinois du musée Cernuschi (Du-minh Lim et Gilles Béguin)
* Le renouveau des études sur la Chine pré-impériale (Alain Thote)

In Memoriam
François Berthier, 1937-2001 (Terukazu Akiyama)

Comptes rendus
* Marianne Barrucand
Andreas Schmidt-Collinet et al., Die Textilien aus Palmyra. Neue und alte Funde
* Yves Porter
Barbara Schmitz, Islamic and Indian Manuscripts and Paintings in the Pierpont Morgan Library
* Julia K. Murray
Patricia E. Karetzky, Early Buddhist Narrative Art. Illustrations of the Life of the Buddha from Central Asia to China, Korea and Japan
* Bruno Dagens
Marijke J. Klokke (ed.), Narrative Sculpture and Literary Traditions in South and Southeast Asia
* Michèle Pirazzoli-t'Serstevens
Lothar Ledderose, Ten Thousand Things, Module and Mass Production in Chinese Art
* Liang Lian
Clothed to Rule the Universe. Ming and Qing Dynasty Textiles at the Art Institute of Chicago
* Hubert Durt
Bernard Frank, Dieux et Bouddhas au Japon et Amour, colère, couleur. Essais sur le bouddhisme au Japon
* Christophe Marquet
Helen Merritt & Nanako Yamada, Woodblock Kuchi-e Prints : Reflections of Meiji Culture
* Vĕra Linhartová
Hokusai, Le char des poèmes kyôka de la rivière Isuzu. De cinquante poètes élégants, un poème. Choix de Senshûan et The Moon in the Pines. Zen Haiku
* Henri-Paul Francfort
Quatre ouvrages sur l'archéologie de l'Altaï russe à l'Âge du Fer

About the collection

Arts Asiatiques

Founded in 1924 under the title Revue des Arts Asiatiques, the journal was placed under the directorship of Jean Filliozat, a member of the Academy of Inscriptions and Belles-Lettres and director of the Ecole française d'Extrême-Orient (EFEO), in 1959. Since 1962 Arts Asiatiques has been published by the EFEO, in association with the Guimet and Cernuschi Museums and with the financial support of the Centre National de la Recherche Scientifique (CNRS).

From the outset, Arts Asiatiques was conceived as bridging the worlds of academia and the museum. Today, Arts Asiatiques remains one of the rare periodicals devoted to Asian art and archaeology from a rigorously scholarly perspective. Its ambition is to publish all fields of original scholarship and technical expertise and to explore the full range of primary sources useful to the comprehensive analysis of works of art, from their fabrication and transmission to their iconographic impact: archaeology, history of art and religions, social history, anthropology, material culture, architecture, conservation, textual and documentary sources including inscriptions on various media.

The Editors

The editorial team of Arts Asiatiques comprises the Editor-in-Chief, an Editorial Board based in Paris, and an international Advisory Board. See the list of members

Editorial Office
ARTS ASIATIQUES
Musée Guimet - Panthéon Bouddhique
19 avenue d'Iéna
75116 PARIS
arts.asiatiques@efeo.net

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