Arts Asiatiques 51 (1996)

Pierre CAMBON, Jean-Paul DESROCHES, Alain THOTE, Lothar VON FALKENHAUSEN, WATABE Takeshi, Georges MÉTAILIÉ, Sergei MINAEV, Eric TROMBERT, Günther BERGER, François BARATTE, Francis MACOUIN, Françoise de VALENCE

Collection : Arts Asiatiques

Collection's number: 51

Edition: EFEO, Musée Guimet

Publication date: 1996

Status : Available


ISBN-13 : 978-2-85539-833-4

ISSN : 0004-3958

Width : 22 cm

Height : 27 cm

Weight : 0,82 kg

Number of pages : 175

Distributor : EFEO Diffusion

Geography : Asia, China, Afghanistan, Russia

Language : Français, Anglais

Place : Paris

Support : Papier

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Table of contents

* Sergei Minaev
Archéologie des Xiongnu en Russie. Nouvelles découvertes et quelques problèmes
* Pierre Cambon
Fouilles anciennes en Afganistan (1924-1925) Païtāvā, Karratcha
* Lothar von Falkenhausen
The Moutuo Bronzes : New Perspectives on the Late Bronze Age in Sichuan
* Alain Thote
Note sur la postérité du masque de Liangzhu à l'époque des Zhou orientaux
* Planches couleurs
* Eric Trombert
Un moulin chinois du XIIe siècle
* Günther Berger, Takeshi Watabe, Georges Métailié
Une chinoiserie insolite : étude d'un papier peint chinois

Activités du musée national des Arts Asiatiques - Guimet

Activités du musée Cernuschi

In Memoriam :
* Jean Boisselier (1912-1996) (Madeleine Giteau)
* Albert Le Bonheur (1938-1996) (Pierre-Sylvain Filliozat)

* Dionysos en Chine : remarques à propos de la coupe de Beitan (François Baratte)
* Le linceul de la collection Georges Halphen (Jean-Paul Desroches)
* Catalogue des livres mandchous de la bibliothèque du musée Guimet (Françoise Macouin)

Comptes rendus
* Henri-Paul Francfort
Esther Jacobson, The Art of the Scythians. The Interpretation of Cultures at the Edge of the Hellenic World
* Gérard Colas
François "Nalini" Delvoye (ed), Confluence of Cultures French Contributions to Indo-Persian Studies
* Bruno Dagens
George Michell, Architecture and Art of Southern India Vijayanagara and the successor states
* Bruno Dagens
Vingt ans après Tanjavur, Gangaikondacolapuram
* Francis Richard
Yves Porter, Painters, Paintings and Books. An essay on indo-persian Technical Literature (12-19h Centuries)
* Francis Richard
Barbara Brend, The Emperor Akbar's Khamsa of Niẓāmī
* Anne-Marie Blondeau
Gilles Béguin, Les peintures du bouddhisme tibétain
* Anne Chayet
Per Kvaerne, The Bon Religion of Tibet - The iconography of a Living Tradition
* Philippe Bruguière
Mireille Helffer, Mchod-rol. Les instruments de musique tibétaine
* Barbara Giordana
Fundaçāo Oriente (ed.), George Chinnery (1774-1852) Macau, Uma Viagem Sentimental
* Jacques Dumarçay
Ganesha - Ganeshi, Seni Tembikar Kreasi F. Widayanto
* Hubert Durt
K. R. van Kooij & H. van der Veere, Function and Meaning in Buddhist Art - Proceedings of a seminar held at Leiden University 21-24 October 1991
* Régine Thiriez
Noel F. Singer, Old Rangoon : City of the Shwedagon
* Alain Thote
Jessica Rawson avec le concours de Carol Michaelson, Chinese Jade from the Neolithic to the Qing
* Jean-Pierre Drège
Peter Wiedehage, Das Meihua Xishen pu des Song Boren aus dem 13. Jahrhundert
* Vĕra Linhartová
Helen Josephine Baroni, Buddhism in early Tokugawa Japan : the case of Obaku Zen and the monk Tetsugen Doko

About the collection

Arts Asiatiques

Founded in 1924 under the title Revue des Arts Asiatiques, the journal was placed under the directorship of Jean Filliozat, a member of the Academy of Inscriptions and Belles-Lettres and director of the Ecole française d'Extrême-Orient (EFEO), in 1959. Since 1962 Arts Asiatiques has been published by the EFEO, in association with the Guimet and Cernuschi Museums and with the financial support of the Centre National de la Recherche Scientifique (CNRS).

From the outset, Arts Asiatiques was conceived as bridging the worlds of academia and the museum. Today, Arts Asiatiques remains one of the rare periodicals devoted to Asian art and archaeology from a rigorously scholarly perspective. Its ambition is to publish all fields of original scholarship and technical expertise and to explore the full range of primary sources useful to the comprehensive analysis of works of art, from their fabrication and transmission to their iconographic impact: archaeology, history of art and religions, social history, anthropology, material culture, architecture, conservation, textual and documentary sources including inscriptions on various media.

The Editors

The editorial team of Arts Asiatiques comprises the Editor-in-Chief, an Editorial Board based in Paris, and an international Advisory Board. See the list of members

Editorial Office
Musée national des arts asiatiques - Guimet
6, place d'Iéna
75116 PARIS

Download the instructions to the authors [PDF 404 kb]

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