The catalog of EFEO Publications includes works on a wide range of disciplines in the humanities and social sciences (archaeology, history, anthropology, literature, philology, etc.), centered on Asia, from India to Japan.
These publications address both specialists, and a wider public interested in Asian civilizations and societies.
Arts Asiatiques 57 (2002)
Collection : Arts Asiatiques
Collection's number: 057
Edition: EFEO, Musée Guimet
Publication date: 2002
Status : Available
30,00 €
ISBN-13 : 9782855398396
ISSN : 0004-3958
Width : 22 cm
Height : 27 cm
Weight : 1,16 kg
Number of pages : 248
Distributor : EFEO Diffusion
Geography : India, Cambodia, Asia, China, Japan, Mongolia, Afghanistan
Language : French, English
Place : Paris
Support : Papier
Table of contents
Articles
* Monique Kervran
Un monument baroque dans les steppes du Kazakhstan : le tombeau d'Örqina Khatun, princesse Chaghatay ? A Baroque Monument on the Steppes of Kazakhstan : the Mausoleum of Örqina Khatun, Chaghatay Princess ?
* Charlotte Schmid
Aventures divines de Kṛṣṇa : la līlā et les traditions narratives des temples cola. Kṛṣṇa-līlā, Kṛṣṇa's Divine Deeds : Insights into the Narrative Tradition of some cola Temples
* Max Klimburg
The Arts and Culture of Parun, Kafiristan's "Sacred Valley". La culture de Parun, "Vallée sacrée" du Kafiristan
* Emmanuelle Lesbre
Une Vie illustrée du Buddha (Shishi yuanliu, 1425), modèle pour les peintures murales d'un monastère du XVe s. (Jueyuan si, Sichuan oriental) An Illustrated Life of the Buddha (Shishi yuanliu, 1425), and Its Use as a Model for Mural Paintings in a 15th c. Monastery (Jueyuan si, Eastern Sichuan)
* Cédric Laurent
"Le principe de la rosée de jade dans le bois aux grues" : un récit peint par Qian Gu (1508-ap. 1574) "The Principle of Jade Dew in the Crane Groove" : A Narrative Painted by Qian Gu (1508-after 1574)
* Vera Linhartová
La culture Obaku et le renouveau de l'art bouddhique au Japon à l'époque des Tokugawa Obaku Culture and the Renewal of Buddhist Art in Tokugawa Japan
* Evelyne Mesnil
La peinture "sans contrainte" (VIIIe-Xe s.) : de l'inclassable des traités chinois à l'orthodoxie Zen The Untrammeled Painting (8th-10th c.) : From the Unclassifiable in the Chinese Treatises to the Zen Orthodoxy
Activités du musée national des Arts asiatiques-Guimet
Activités du musée Cernuschi
Chroniques
* À propos de trois récentes acquisitions de la section Chine du musée Guimet : une épée Donghu, une paire de boucles d'oreilles Xianbei et une aiguière Liao (Catherine Delacour)
* Une tombe princière Xiongnu à Gol Mod, Mongolie (campagnes de fouilles 2000-2001) (Guilhem André)
* La découverte de 274 sculptures et d'un caitya bouddhique lors des campagnes de fouilles de 2000 et 2001 au temple de Banteay Kdei à Angkor (Yoshiaki Ishizawa)
* La remise au jour du Buddha de Vat Kompong Luong (Bertrand Porte)
* Un miroir peint du début de l'époque des Han (Michèle Pirazzoli-t'Serstevens)
* Une statue de Visvarupa au musée de Phnom Penh (Vasundhara Filliozat)
In Memoriam
Vadime Elisseeff , 1918-2002 (Marie-Thérèse Bobot)
Comptes rendus
* Roderick Whitfield
Keriya, mémoires d'un fleuve. Archéologie et civilisation des oasis du Taklamakan. Mission archéologique franco-chinoise au Xinjiang
* Charlotte Schmid
Corinna Wessels-Mevissen, The Gods of the Directions in Ancient India. Origin and Early Development in Art and Literature (until c. 1000 A.D.)
* Anne Vergati
Rosa Maria Cimino, Wall Paintings of Rajasthan
* Bruno Dagens
Jacques Dumarçay et Pascal Royère, Cambodian Architecture - Eight to Thirteenth Centuries
* Madeleine Giteau
Francis Benteux, Marc Leguay, le peintre du Laos
* Magnus Fiskesjö
Roderick Whitfield et Wang Tao (trad. and eds.), Exploring China's Past: New Discoveries and Studies in Archaeology and Art
* Watabe Takeshi
Robert Bagley (ed.), Ancient Sichuan. Treasures from a Lost Civilization
* Michèle Pirazzoli-t'Serstevens
John Carswell, Blue and White. Chinese Porcelain around the world
* Jean Lévi
Poul Andersen, The Demon Chained Under Turtle Mountain. The History and Mythology of the River Spirit Wuzhiqi
* Catherine Despeux
Stephen Little & Schawn Eichman (eds.), Taoism and the Arts of China
About the collection
Arts Asiatiques
Founded in 1924 under the title Revue des Arts Asiatiques, the journal was placed under the directorship of Jean Filliozat, a member of the Academy of Inscriptions and Belles-Lettres and director of the Ecole française d'Extrême-Orient (EFEO), in 1959. Since 1962 Arts Asiatiques has been published by the EFEO, in association with the Guimet and Cernuschi Museums and with the financial support of the Centre National de la Recherche Scientifique (CNRS).
From the outset, Arts Asiatiques was conceived as bridging the worlds of academia and the museum. Today, Arts Asiatiques remains one of the rare periodicals devoted to Asian art and archaeology from a rigorously scholarly perspective. Its ambition is to publish all fields of original scholarship and technical expertise and to explore the full range of primary sources useful to the comprehensive analysis of works of art, from their fabrication and transmission to their iconographic impact: archaeology, history of art and religions, social history, anthropology, material culture, architecture, conservation, textual and documentary sources including inscriptions on various media.
The Editors
The editorial team of Arts Asiatiques comprises the Editor-in-Chief, an Editorial Board based in Paris, and an international Advisory Board. See the list of members
Editorial Office
ARTS ASIATIQUES
Musée national des arts asiatiques - Guimet
6, place d'Iéna
75116 PARIS
arts.asiatiques@efeo.net
Download the instructions to the authors [PDF 404 kb]
